A blog post I read recently made me think back to when I was growing up. The world was changing. Vietnam was done, and now we got our Asian war fix from the 4077th. Disco and prog rock gave way to hair bands and pop. And while we were moving from the hippie idealism of the ’70s to the cold capitalism of the ’80s, a young director came on the scene and changed the face of science fiction films. He had only made a couple movies before, but his new film, a tale of robots and rebellion and redemption, created a world so rich it would touch sci-fi movies for decades to come and attract a legion of devoted fans.
But then we come to find out that the movie he made didn’t live up to his expectations, and when time and technology allowed, he recrafted it, adding bits here and subtracting bits there, even changing one scene in such a way that it totally altered the nature of Harrison Ford’s character. And when the final product was revealed to the fans, they loved it even more than the original, and spent lots of money on the new release, and were thrilled that the director could at last have his vision realized.
“Wait a minute,” you say, “what on earth are you talking about? Everyone hated the special editions of Star Wars. George Lucas is a monster who took a giant dump on my childhood! HAN SHOT FIRST!” Well, that’s as may be, but what does that have to do with Ridley Scott and Blade Runner?
Will Hindmarch points to an article by Devin Faraci that reminds us that this kind of revisionism happens more than we might remember or realize:
Continue reading Ch-ch-ch-ch-changes